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Hauru no ugoku shiro (2004)

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When an unconfident young woman is cursed with an old body by a spiteful witch, her only chance of breaking the spell lies with a self-indulgent yet insecure young wizard and his companions in his legged, walking castle.

Director:

Hayao Miyazaki

Writers:

Hayao Miyazaki (screenplay), Diana Wynne Jones (novel) (as Daiana Win Jônzu)
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1,640 ( 50)
Top Rated Movies #134 | Nominated for 1 Oscar. Another 14 wins & 19 nominations. See more awards »

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Cast

Cast overview, first billed only:
Chieko Baishô Chieko Baishô ... Sofî (voice)
Takuya Kimura ... Hauru (voice)
Akihiro Miwa Akihiro Miwa ... Arechi no Majo (voice)
Tatsuya Gashûin ... Karushifâ (voice)
Ryûnosuke Kamiki ... Marukuru (voice)
Mitsunori Isaki Mitsunori Isaki ... Koshô (voice)
Yô Ôizumi ... Kakashi no Kabu (voice)
Akio Ôtsuka ... Kokuô (voice)
Daijirô Harada Daijirô Harada ... Hin (voice)
Haruko Katô Haruko Katô ... Sariman (voice)
Jean Simmons ... Grandma Sophie (voice)
Christian Bale ... Howl (voice)
Lauren Bacall ... Witch of the Waste (voice)
Blythe Danner ... Madame Suliman (voice)
Emily Mortimer ... Young Sophie (voice)
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Storyline

A love story between an 18-year-old girl named Sophie, cursed by a witch into an old woman's body, and a magician named Howl. Under the curse, Sophie sets out to seek her fortune, which takes her to Howl's strange moving castle. In the castle, Sophie meets Howl's fire demon, named Karishifâ. Seeing that she is under a curse, the demon makes a deal with Sophie--if she breaks the contract he is under with Howl, then Karushifâ will lift the curse that Sophie is under, and she will return to her 18-year-old shape. Written by Sophie Ball

Plot Summary | Plot Synopsis


Certificate:

MG6 | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Disney [United States]

Country:

Japan

Language:

Japanese

Release Date:

18 August 2005 (Netherlands) See more »

Also Known As:

Howl's Moving Castle See more »

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Box Office

Budget:

$24,000,000 (estimated)

Opening Weekend:

JPY 1,444,469,305 (Japan), 21 November 2004, Limited Release

Opening Weekend USA:

$427,987, 12 June 2005, Limited Release

Gross USA:

$4,711,096

Cumulative Worldwide Gross:

$235,184,110
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital EX | DTS-ES | SDDS

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Sophie's city was modeled after Colmar, France. See more »

Goofs

After the portals change, Howl says "See that new color on the dial?" to Sophie, to show her the meadow. He then sets the portal to red (from yellow). Red (the "new portal") was on the original dial - yellow is the new color (replacing blue). See more »

Quotes

Old Sophie: A battleship?
Howl: On its way to burn cities and people
Old Sophie: The enemy's? Ours?
Howl: What difference does it make?
See more »


Soundtracks

Sekai no Yakusoku
Written by Yumi Kimura
Performed by Chieko Baisho
See more »

Frequently Asked Questions

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User Reviews

 
My favourite Miyazaki!
23 February 2005 | by WritelySoSee all my reviews

What an amazing achievement! This is by far the best example I have ever seen of animated characterization. The expressions and the nuances and the emotion captured in this film are truly breathtaking. I love all of Miyazaki's work, but in Howl's Moving Castle he has managed to take it to a level that to me sets the standard.

It has all of the classic stunning Miyazaki panoramas, rich settings, exciting and unusual machinery, and brilliantly conceived creatures that are often humorous and fanciful. The characters are all very expertly crafted and developed, but what really enchanted me were their expressions and the subtle but powerful ways that he chose to elaborate on their connections and emotions. It is very difficult to describe, but they come to life in such a powerful way as to seem entirely real and unique.

He achieves this within the medium - not by really imitating or parroting film or live action, but by artfully exploiting the medium to enhance and capture the subtle interactions that make up relationships. He shows his audience what his characters are thinking and feeling by carefully chosen gestures and facial expressions, rather than relying always on dialog, etc. I was completely swept away by this skillful use of animation - I have never anywhere else seen anything that begins to come close to it.

The story is fantastic - I haven't read the novel, but it had all of the elements I have come to enjoy in Miyazaki's work - there is the humour, the lighthearted moments, the strong, insightful, loyal, and honourable characters, the lyrical drama and action sequences. The pace is perfect - it flows nicely and is always exciting, suspenseful - I got very caught up in the characters and their struggles and hopes. The themes were expertly handled with Miyazaki flair - and always richly meaningful and perceptive.

I can hardly wait to see what this brilliant artist creates next!


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